"Numerous converging and intersecting railways, extensive manufactures, and a considerable West-India commerce, contribute to the life and wealth of this beautiful city. Its suburbs are adorned with tasteful villas, and afford inviting drives and charming prospects. Of principal interest among its suburban attractions are the crags known as East and West Rocks — two bold and striking bluffs of trap-rock, lifting themselves, in magnificent array of opposition, about four hundred feet out of the plain which skirts the city. Their geological origin was probably some anomalous volcanic convulsion; and their grim heights may have sentinelled, in remote ages of our planet, the flow of the Connecticut River between their august feet to the Sound."
"President Theodore Roosevelt, who was the chief figure of the closing day of Yale's bicentennial celebrations, given an ovation as he receives his honorary degree. He pays a tribute to the sons of old Eli. 'I have never yet worked at a task worth doing that I did not find myself shoulder to shoulder with some son of Yale.'"
"William M. Evarts, the polished, urbane, witty New Yorker; George Frisbie Hoar, the sharp, petulant, bright, nagging New Englander; John Sherman, the unostentatious, but persistent Westerner. But behind all these mannerisms we see the [Roger] Sherman imprint upon the mind of each. If one of them becomes President, it will be all in the family."
"For the first time in its long male history, Yale College last month graduated women — 182 in a class of 1,132. Called superwomen when first admitted two years ago as transfer students, they have frequently scored higher academically than their male classmates. But they don't feel like superwomen. The job market is even leaner for them than for their male classmates; and their two years at Yale have been rougher than expected."
"This happened last fall and the fall before: I’m at the Union League with a visiting writer and some colleagues, and I’m sitting in the window and it’s late fall and I look out — and there’s a streetlight on Chapel, and there’s the leaves, and I think — two years in a row, it’s happened — this looks like one of Gregory’s photographs. Which is interesting because people talk about your work’s engagement with film, which is absolutely [important to me], but what was interesting to me was that, nope, his work has shaped not my sense of film but my sense of the real world. Which is I think what great art does, it gives you a way of seeing the world anew."